Francis (Cisco) Bradley is a scholar of social and cultural history set in diverse contexts. Throughout his career, his interests have settled on the historical agency exhibited by people marginalized by global or local forces who face myriad challenges including dislocation, cultural destruction, social alienation, or structural or physical violence. This has led him to investigate histories in a variety of contexts including port cities, mobile intellectual or artist communities, and inhabitants of maritime settings, where people are stitched together through viable, if vulnerable social networks of their own making.

His academic work has focused on mobility and networks in maritime or trans-regional settings with early articles appearing in Journal of Asian StudiesJournal of Southeast Asian Studies, and Journal of the Siam Society that focus on movement, dislocation, social genesis, and piracy. He explores these issues deeply in his first book, entitled Forging Islamic Power and Place: The Legacy of Shaykh Da’ud bin ‘Abd Allah al-Fatani in Mecca and Southeast Asia, which is in press with University of Hawaii Press. The affiliated website is: Bradley is also working to build a comprehensive bibliography on piracy studies which is publicly available at

Since settling in Brooklyn, Professor Bradley has added a new sub-field to his myriad interests, that of the history of avant garde jazz in Brooklyn. This project has led him to study the underbelly of New York City, gentrification, structural violence, and avant garde art forms and how they relate to a far-flung, diverse, globally-drawn community of artists and their social and cultural networks. His website chronicles much of his work in this regard.